With an emphasis on developments taking place in Germany during the nineteenth century, this book provides in-depth examinations of the key contributions made by the pioneers of scientific psychology. Their works brought measurement and mathematics into the study of the mind. Through unique analysis of measurement theory by Whewell, mathematical developments by Gauss, and theories of mental processes developed by Herbart, Weber, Fechner, Helmholtz, Muller, Delboeuf and others, this volume maps the beliefs, discoveries, and interactions that constitute the very origins of psychophysics and its offspring Experimental Psychology. Murray and Link expertly combine nuanced understanding of linguistic and historic factors to identify theoretical approaches to relating physicalintensities and psychological magnitudes. With an eye to interactions and influences on future work in the field, the volume illustrates the important legacy that mathematical developments in the nineteenth century have for twentieth and twenty-first century psychologists. This detailed and engaging account fills a deep gap in the history of psychology. The Creation of Scientific Psychology will appeal to researchers, academics, and students in the fields of history of psychology, psychophysics, scientific, and mathematical psychology.

The first edition of this book (E.H. Weber: The Sense of Touch, Academic Press, 1978) has long been out of print. But interest in Weber's work continues and this revised edition commemorates the bicentenary of his birth. The introduction has been expanded to include further information on Weber's life and times, and on recent research relevant to Weber's own work. The translations of Weber's main works of psychological interest (De Tactu and Der Tastsinn und das Gemeingefuhl) contain minor changes, and the footnotes and indexes have been updated. The reader will find here much more than those topics for which Weber is best known - the two-point threshold, experiments on weight discrimination and a statement of what is now called Weber's Law. Weber also made interesting remarks on many aspects of sensory psychology - on left-right asymmetry in sensitivity, on visual resolution, the binocular combination of colours, the moon illusion, on summation, inhibition and adaptation in sensory systems, on the difference between simultaneous and successive presentations, on selective attention, the externalisation of sensations and the difference between sensation and perception. As a scientist, Weber was working in the new area of experimental psychology; as a philosopher, he bridged the gap between philosophy and experiment. His work remains of interest to historians of science, to philosophers and to sensory psychologists.

With an emphasis on developments taking place in Germany during the nineteenth century, this book provides in-depth examinations of the key contributions made by the pioneers of scientific psychology. Their works brought measurement and mathematics into the study of the mind. Through unique analysis of measurement theory by Whewell, mathematical developments by Gauss, and theories of mental processes developed by Herbart, Weber, Fechner, Helmholtz, Muller, Delboeuf and others, this volume maps the beliefs, discoveries, and interactions that constitute the very origins of psychophysics and its offspring Experimental Psychology. Murray and Link expertly combine nuanced understanding of linguistic and historic factors to identify theoretical approaches to relating physicalintensities and psychological magnitudes. With an eye to interactions and influences on future work in the field, the volume illustrates the important legacy that mathematical developments in the nineteenth century have for twentieth and twenty-first century psychologists. This detailed and engaging account fills a deep gap in the history of psychology. The Creation of Scientific Psychology will appeal to researchers, academics, and students in the fields of history of psychology, psychophysics, scientific, and mathematical psychology.

Originally published in 1987, this title is about theory construction in psychology. Where theories come from, as opposed to how they become established, was almost a no-man's land in the history and philosophy of science at the time. The authors argue that in the science of mind, theories are particularly likely to come from tools, and they are especially concerned with the emergence of the metaphor of the mind as an intuitive statistician. In the first chapter, the authors discuss the rise of the inference revolution, which institutionalized those statistical tools that later became theories of cognitive processes. In each of the four following chapters they treat one major topic of cognitive psychology and show to what degree statistical concepts transformed their understanding of those topics.

The physical and mental health of an employee influences attendance and quality of work. Indifferent health and lack of a sense of well-being affects both the individual and the efficiency of the organization. This book is designed to give general and specific guidance to non-medical personnel involved with the health of employees in offices and similar surroundings. It examines factors at work which influence health and explains how to deal correctly with personal situations without causing unnecessary distress.;Medical terminology is restricted to providing understanding of terms commonly used by doctors in communications.;The "Industrial Relations in Practice" series is intended for personnel managers, union negotiators, employees, welfare advisors and lawyers, with an emphasis on current practice in leading British organizations. Aimed at both sides of industry, it features topics of concern to the work-force of today and those responsible for its management.

Originally published in 1987, this title is about theory construction in psychology. Where theories come from, as opposed to how they become established, was almost a no-man's land in the history and philosophy of science at the time. The authors argue that in the science of mind, theories are particularly likely to come from tools, and they are especially concerned with the emergence of the metaphor of the mind as an intuitive statistician. In the first chapter, the authors discuss the rise of the inference revolution, which institutionalized those statistical tools that later became theories of cognitive processes. In each of the four following chapters they treat one major topic of cognitive psychology and show to what degree statistical concepts transformed their understanding of those topics.

This must-read text/reference provides a practical guide to processes involved in the development and application of dynamic simulation models, covering a wide range of issues relating to testing, verification and validation. Illustrative example problems in continuous system simulation are presented throughout the book, supported by extended case studies from a number of interdisciplinary applications. Topics and features: provides an emphasis on practical issues of model quality and validation, along with questions concerning the management of simulation models, the use of model libraries, and generic models; contains numerous step-by-step examples; presents detailed case studies, often with accompanying datasets; includes discussion of hybrid models, which involve a combination of continuous system and discrete-event descriptions; examines experimental modeling approaches that involve system identification and parameter estimation; offers supplementary material at an associated website.

This must-read text/reference provides a practical guide to processes involved in the development and application of dynamic simulation models, covering a wide range of issues relating to testing, verification and validation. Illustrative example problems in continuous system simulation are presented throughout the book, supported by extended case studies from a number of interdisciplinary applications. Topics and features: provides an emphasis on practical issues of model quality and validation, along with questions concerning the management of simulation models, the use of model libraries, and generic models; contains numerous step-by-step examples; presents detailed case studies, often with accompanying datasets; includes discussion of hybrid models, which involve a combination of continuous system and discrete-event descriptions; examines experimental modeling approaches that involve system identification and parameter estimation; offers supplementary material at an associated website.

In "A Bell Curve and Other Poems," poet David J. Murray divides 118 short poems into seven separate sections; each section holds a common theme but includes a different number of poems from the other sections. The poems of this collection offer photographs of moments in his mental life, while the collection as a whole uses the bell-curve concept to allow him to stress the unified nature of this poetry collection.

The first section, only three poems long, is about children. The second section, nine poems long, is about the author's professional interests in psychology and philosophy. The third, including seventeen poems, is about the arts, especially literature. The fourth section-the middle-includes fifty-eight poems addressed to the person who is the heroine of Murray's previous book, "An Artist's Model and Other Poems (2012)." Sixteen poems comprise the fifth section on women Murray has met in the past and whose influence on him led him to write about those encounters. The sixth section contains twelve poems about the changing views of Lake Ontario as he sees it every day. The final section includes just three memorial poems, two of which concern his deceased wife's gravesite in Kingston's Cataraqui Cemetery.

These numbers-3, 9, 17, 58, 16, 12, 3-resemble, in outline, a sharply peaked bell curve, illustrating roughly how much time Murray spends thinking about each topic at the present stage of his poetic experience. This form offers exploration and a snapshot of his current thoughts on a wide range of subjects.

In "A Bell Curve and Other Poems," poet David J. Murray divides 118 short poems into seven separate sections; each section holds a common theme but includes a different number of poems from the other sections. The poems of this collection offer photographs of moments in his mental life, while the collection as a whole uses the bell-curve concept to allow him to stress the unified nature of this poetry collection.

The first section, only three poems long, is about children. The second section, nine poems long, is about the author's professional interests in psychology and philosophy. The third, including seventeen poems, is about the arts, especially literature. The fourth section-the middle-includes fifty-eight poems addressed to the person who is the heroine of Murray's previous book, "An Artist's Model and Other Poems (2012)." Sixteen poems comprise the fifth section on women Murray has met in the past and whose influence on him led him to write about those encounters. The sixth section contains twelve poems about the changing views of Lake Ontario as he sees it every day. The final section includes just three memorial poems, two of which concern his deceased wife's gravesite in Kingston's Cataraqui Cemetery.

These numbers-3, 9, 17, 58, 16, 12, 3-resemble, in outline, a sharply peaked bell curve, illustrating roughly how much time Murray spends thinking about each topic at the present stage of his poetic experience. This form offers exploration and a snapshot of his current thoughts on a wide range of subjects.

"In An Artist's Model and Other Poems, " preferring to portray his model-a woman with whom he has fallen in love-in words rather than in paint, author David J. Murray off ers an extended hymn of praise to her, expressing unresolved yearning throughout.

Following a prologue setting the scene, he presents her with four gifts, each consisting of a set of twelve poems. Th e fi rst set of poems describes what it's like spending Christmas without her; the second set of poems compares her to the Greek goddess Athena; the third set of poems likens her to a ballerina; and the fourth set of poems, written in summer, compares her to the beauty of the season.

Between each set are entr'actes consisting of several poems that comment on the complexities of their situation. Th e collection ends with an epilogue that recalls the mood of the prologue. Reflecting the conflict between Murray's emotions and his sense of propriety with regard to his model," An Artist's Model and Other Poems" presents a cycle of poems that are unabashedly of the high-fl ung romantic genre.

"In An Artist's Model and Other Poems, " preferring to portray his model-a woman with whom he has fallen in love-in words rather than in paint, author David J. Murray off ers an extended hymn of praise to her, expressing unresolved yearning throughout.

Following a prologue setting the scene, he presents her with four gifts, each consisting of a set of twelve poems. Th e fi rst set of poems describes what it's like spending Christmas without her; the second set of poems compares her to the Greek goddess Athena; the third set of poems likens her to a ballerina; and the fourth set of poems, written in summer, compares her to the beauty of the season.

Between each set are entr'actes consisting of several poems that comment on the complexities of their situation. Th e collection ends with an epilogue that recalls the mood of the prologue. Reflecting the conflict between Murray's emotions and his sense of propriety with regard to his model," An Artist's Model and Other Poems" presents a cycle of poems that are unabashedly of the high-fl ung romantic genre.

"Black Hole and Other Poems," a new compilation of verse by poet David Murray, focuses on the role played by hunger for power in reducing the success of heterosexual romantic relationships. Divided into four parts, this collection explores the topic in a wide variety of styles and approaches.

The first part of the collection, 'Poems in a Lighter Vein', interprets the familiar vampire story as being an allegory of common male fantasies of having power over many 'brides', and most of its verses are satirical in nature. The second part, 'Black Hole, ' contains examples based upon Murray's experiences of the personal power, all too easily abused, exerted by men over women.

'Treading Water, ' the third part, describes Murray's feelings when he found himself forced to compete with a male rival to see which of the two could exert the most power over a particular female's affections. In the fourth and final part, 'Bagatelles', each poem attempts to arouse, in only two lines, core emotional responses of the kind that are usually assumed to require longer poems.

Satirical, gutsy and succinct by turns, this book explores the role of power in sexual relationships and the varying aspects of that power.

"Black Hole and Other Poems," a new compilation of verse by poet David Murray, focuses on the role played by hunger for power in reducing the success of heterosexual romantic relationships. Divided into four parts, this collection explores the topic in a wide variety of styles and approaches.

The first part of the collection, 'Poems in a Lighter Vein', interprets the familiar vampire story as being an allegory of common male fantasies of having power over many 'brides', and most of its verses are satirical in nature. The second part, 'Black Hole, ' contains examples based upon Murray's experiences of the personal power, all too easily abused, exerted by men over women.

'Treading Water, ' the third part, describes Murray's feelings when he found himself forced to compete with a male rival to see which of the two could exert the most power over a particular female's affections. In the fourth and final part, 'Bagatelles', each poem attempts to arouse, in only two lines, core emotional responses of the kind that are usually assumed to require longer poems.

Satirical, gutsy and succinct by turns, this book explores the role of power in sexual relationships and the varying aspects of that power.

"Pursuit and Other Poems" offers a new collection of poetry presented in two parts, each of which highlights an extreme event that is part of a romantic experience. The first part is entitled "Ode in Emerging from an Overdose," a single long poem that describes author David J. Murray's feelings when he was rescued from an unpremeditated suicide attempt. The second part is entitled "Pursuit" and contains 114 poems that chronicle Murray's emotional experiences with unrequited love.

Deeply personal and yet universal in nature, Murray's verse speaks to the hope and heartbreak of the human experience with love.

"'If' Revisited

If you can grab your woman too abruptly,

If you forget that her birthday is today,

If you assume your desire for her is equalled

By her desire for a romp with you in the hay,

If you dare think a fuzzy morning stubble

Turns her right on, and that she desires you more,

If you assume that it is her bounden duty

To have the dishes done the night before,

If you dare think that your mind analytical

Is prejudice-free and objective more than hers,

And that her place is really in the kitchen

And not among lites or raconteurs,

Then you will trail behind her in the mall,

While she looks out for someone rich and tall."

"Pursuit and Other Poems" offers a new collection of poetry presented in two parts, each of which highlights an extreme event that is part of a romantic experience. The first part is entitled "Ode in Emerging from an Overdose," a single long poem that describes author David J. Murray's feelings when he was rescued from an unpremeditated suicide attempt. The second part is entitled "Pursuit" and contains 114 poems that chronicle Murray's emotional experiences with unrequited love.

Deeply personal and yet universal in nature, Murray's verse speaks to the hope and heartbreak of the human experience with love.

"'If' Revisited

If you can grab your woman too abruptly,

If you forget that her birthday is today,

If you assume your desire for her is equalled

By her desire for a romp with you in the hay,

If you dare think a fuzzy morning stubble

Turns her right on, and that she desires you more,

If you assume that it is her bounden duty

To have the dishes done the night before,

If you dare think that your mind analytical

Is prejudice-free and objective more than hers,

And that her place is really in the kitchen

And not among lites or raconteurs,

Then you will trail behind her in the mall,

While she looks out for someone rich and tall."

"Spring summer summer winter she is there,
The laken depths of girlish eyes:
"Come," she cries, "I banish care"-
I come and winter summer summer spring
Her raven hair blows on, come on,
And when I get there, she is gone
Although the fields still hear her sing-
I try to love and when the gate
Is banged against my face, I try to hate. "

In his fifth volume of lyrical expressions, award-winning poet David Murray combines both traditional and free verse while exploring the powerful emotions behind the timeless theme of romantic love.

Over some fifty years, Murray has been writing and compiling poetry relating to remorse, regret, and rejection. As he returns emotionally to the times of his youth and his memories of discontent during two unhappy romances that took place during the 1960s, he offers a compelling glimpse of moments in relationships that erratically vacillate between despair and elation. His verse traces the story of two people who fall in love, evolve as a couple, and realize in the end that sometimes love fails.

The poetry in this memorable collection will remind anyone that love-like life-is unpredictable.